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When Grandpa Trod the Boards: From The Colleen Bawn to the Irish Cultural Garden

Title page from The Colleen Bawn script.   In 1933, when Joseph John Gilbride was 23 years old, he took to the stage. Grandpa had a bit part as a soldier in a production of the 19th century Irish play, The Colleen Bawn , by Dion Boucicault. The play was produced in Cleveland's Little Theater in Public Hall. 1   My grandpa's name and address in The Colleen Bawn cast list. 2   Now, it's not a huge stretch to imagine Grandpa doing a bit of theater. He was an outgoing fella, prone to jokes, puns, and visual nonsense that made his grandkids laugh.  Cut-up Grandpa checks out his new headphones, getting a smile from Grandma! 3 But beyond the novelty of thinking about a young Grandpa playing a soldier, it was the context of this Theater of Nations endeavor and the groups that helped produce  The Colleen Bawn  that grabbed my attention.   Beginnings  It began with this announcement on 13 December 1929 in The Plain Dealer: Races of City to Give Plays with P...

Toddlers and Angels



June 4th—the day my sister Sharon died—always makes me pause. 

My mind shifts back to the dark days of 1994. Then, when the veil between here and after was thin and my mind was continually occupied by thoughts of my sister - memories, regrets, wishes - I was on high alert, ever watchful for her presence. 

Desperate for a sign that she was okay was a natural response to the traumatic way she died. I wanted reassurance. I found myself looking for women that looked like her in the grocery store or on the street, just to get a glimpse of her face one more time. For months, even years later, my heart would nearly leap out of my chest when I spied a young lady with long, dark, curly hair or a face that resembled hers. Of course, I was invariably disappointed when that person wasn't Sharon, and I couldn't pretend it was all somehow just a bad dream.

But there were a few times, when our daughter was a baby and toddler, when it wasn't me but Anne who seemed especially attuned to Sharon's presence. Anne was just eight week's old when Sharon died and never met her. 

I wrote this essay about it for a baby book that was being published a few years later and was soliciting short pieces about new motherhood:

 

I know that God was watching over me when he sent Annie to me just weeks before my younger sister was murdered. On the frantic, 16-hour drive home to be with my family, I distinctly remember Annie being suddenly alert, and I bent over her in her car seat, with my face close to hers. Her eyes were as blue as my sister's eyes—for minutes it seemed neither of us blinked—and I saw my sister's eyes in Annie's. It was almost as if God gave me one more chance to look into my sister's eyes. I'll never forget it.

Since then, Annie has continued to be, I feel, the conduit to my sister, Sharon, whenever we need it. When Annie was about 20 months old, we traveled home again to celebrate Christmas with Grandma. When we walked into the door, Annie immediately rushed to the small living room table upon which my mother had put several photos of Sharon. Annie saw them, picked them up and said, 'Sharon.' My daughter, only 8 weeks old at the time of my sister's death, had never met her aunt.

In later months, out of the blue, Annie would mention Sharon's name in ways such as, "I'm going to tell Sharon," if she was angry about something. Once, I gently pressed her further when she mentioned Sharon's name. "Do you see her?" I asked. Annie quietly nodded. "What does she look like?" I said. "Kind of like an angel," came the reply.

Although I know I can't make such moments happen, I long for them. As Annie grows, and her infant innocence begins to fade into knowing toddlerhood, I wonder if her spirit will remain as open to such miracles being done through her. Perhaps I will need to let go of these comforts as I had to let my sister go. I will release them unwillingly and sadly yet will be grateful for the gift.1

 

Our daughter, now an adult, has little recollection of these incidents. As I expected, that openness which small children have to take everything in around them, at some point ended. 

I still like to think that Sharon in some way hovered close to Anne and me in those days, comforting us in the only way she could.

Until next time...

 © Nancy Gilbride Casey, 2026. All rights reserved.  

 

IMAGE

William Colbert Detling, The Three Circles: The Home, the Church, and the Heavenly Circle, or the Home, the Church, and the Immortal Life. (Cleveland, Ohio: n.p., 1904), 209; imaged, Library of Congress (https://www.loc.gov/item/04021625/ : accessed 2 June 2026). In the public domain.

NOTES

1 Carol Keough, Better Homes and Gardens New Baby Book (Des Moines, Iowa: Meredith Corporation, 1998), 229, "Baby's Angel Aunt."

Comments

  1. Very poignant. "Like an angel" is a lovely description.

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    1. Out of the mouths of babes, yes? Thanks for reading and commenting, Marian.

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  2. I'm glad. You have these moments to hold on to its a gift hold on tight to them.💕

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    1. I'm glad too. Thanks for reading.

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  3. I'm so sorry for your loss. What a beautiful essay and a way children see and feel things that others may not be aware of.

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    1. Thank you, Diane. It helps to begin writing about it. I appreciate you reading.

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  4. Sandra Robertson- Annie's connection to your lovely Sharon was a gift to you. Sometimes we entertain angels unaware.

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    1. That is certainly true, Sandra. We are the better for it, aren't we? Thanks for reading!

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